A new documentary by Hazuan Hashim & Phil Maxwell, featuring among others: Lowkey, Audrey White, Ken Loach, Peter Kennard and Tony Benn.

"Terrorists" examines the history of direct action and protest leading up to recent UK legislation. The film features the Suffragettes, the 1920s Poplar Council, the Greenham Common Women’s Peace Camp, the Miners' Strike, the Wapping Dispute, Palestine Solidarity movements and more. Contributors include artist/cartoonist Alan Hardman, author David Rosenberg, holocaust survivor Stephen Kapos, playwright and actor Tayo Aluko, Hannah from the Global Sumud Flotilla, ex-miner John Dunn and lifelong peace activist Kevin Donellon.

Music by Lola Perrin.

The intertwined lives of three men in three different eras, three lives intimately linked by sexuality and desire, pain, and legacy.

World champion tennis trailblazer Billie Jean King has had a game-changing impact on culture and sports. Rare archive and candid interviews with Billie Jean and those closest to her reveal how one woman put changing the world ahead of saving herself.

Following the deaths of Mihai's parents, Mihai and Lisbet Gheorghiu leave their life behind in Romania and move with their children to a remote village in Norway, hoping to rebuild their lives near Lisbet's family. There, they grow close to their neighbors, the Halbergs, whose warmth gives them hope for a fresh start. But the fragile peace begins to unravel when the Gheorghiu family’s young daughter, Elia, arrives at school covered in bruises.

War reduced Japan to zero, and Godzilla plunged it into minus. Two years have passed since then, and the country has faced agonizing struggles to achieve recovery and finally reclaim its daily life. Just as humanity managed to cling to a hard-won peace, a new threat strikes, crushing hope in an instant. There is no third time. Everything ends here.

In 2006, To Catch a Predator host Chris Hansen sets out to make television history. When a high stakes operation goes fatally wrong, his veneered dream of fame curdles into a nightmare of performative justice.

Shortly before the 1973 Chilean coup, CIA agents Chris and Lee are dispatched from Santiago to Easter island by their bureau chief, MJ. Amongst the Island's iconic statues, and as the longtime partners wrestle with their dark pasts and present conspiracies, Chris's newfound bond with a pair of rebellious students threatens to send everyone's trip to this remote paradise sideways.

The intertwined lives of three men in three different eras, three lives intimately linked by sexuality and desire, pain, and legacy.

World champion tennis trailblazer Billie Jean King has had a game-changing impact on culture and sports. Rare archive and candid interviews with Billie Jean and those closest to her reveal how one woman put changing the world ahead of saving herself.

Following the deaths of Mihai's parents, Mihai and Lisbet Gheorghiu leave their life behind in Romania and move with their children to a remote village in Norway, hoping to rebuild their lives near Lisbet's family. There, they grow close to their neighbors, the Halbergs, whose warmth gives them hope for a fresh start. But the fragile peace begins to unravel when the Gheorghiu family’s young daughter, Elia, arrives at school covered in bruises.

Through never-before-seen archival footage and first-hand accounts of those who knew him best, the film traces Archbishop Desmond Tutu’s rise as the voice of the oppressed, guided by faith, hope and an understanding of the power of forgiveness.

Followed by an in person Q&A with director Sam Pollard

In 2006, To Catch a Predator host Chris Hansen sets out to make television history. When a high stakes operation goes fatally wrong, his veneered dream of fame curdles into a nightmare of performative justice.

Shortly before the 1973 Chilean coup, CIA agents Chris and Lee are dispatched from Santiago to Easter island by their bureau chief, MJ. Amongst the Island's iconic statues, and as the longtime partners wrestle with their dark pasts and present conspiracies, Chris's newfound bond with a pair of rebellious students threatens to send everyone's trip to this remote paradise sideways.

Lemohang Jeremiah Mosese’s film explores grief, resistance, and the fight to preserve ancestral land in Lesotho.

Mantoa, an 80-year-old widow is preparing for her own funeral while grappling with the deaths of her husband and children. Her village faces forced resettlement due to the construction of a dam, threatening to erase her homeland and ancestral burial grounds. Confronted with this existential threat, Mantoa finds renewed purpose and becomes a symbol of resistance, mobilising her community to fight for their land and heritage.

This film will be introduced by Misa Mlambo - a South African creative producer and filmmaker based in London, working across film campaigns and their own practice as a writer and director.

This screening is curated by Meliza George as part of ‘Whose Land? Whose Lens?’ a season of works from the global south discussing the protection of land and therefore peoples through the lens of slow cinema. The season is presented with the National Film and Television’s Film Studies, Curation and Programming MA.

BAR TRASH continues our 14th sensational season — TRASH PLANET 3: APOCALYPSE! — with one of those films that sells itself on the strength of its title alone, SHARKNADO (2013). As the tagline puts it, “Enough said!”.

When a freak tornado swamps Los Angeles, thousands of man-eating sharks are sucked into the swirling vortex, terrorising the water-logged populace and flooding the city with shark-infested seawater. With nature’s deadliest killer ruling sea, land and air, a group of survivors soon realise their best chance to escape the deadly maelstrom is to find a way to destroy it themselves.

Originally streaming to a less-than stellar 1.4million people on the Syfy Channel, SHARKNADO was propelled into cult film superstardom over the next 24hrs through the power of social media. Generating 5,000 tweets a minute at the peak of its Twitter storm, social media A-listers like Wil Wheaton shared their watching experience, adding further hype to the feeding frenzy.

SHARKNADO is exactly the kind of chaos that people expect to see at BAR TRASH, but it is much more than the sum of its PlayStation 2-era CGI body parts. Energetically paced and deeply committed to its own inherent absurdity (energies lost between the title and execution by the similarly hyped SNAKES ON A PLANE), SHARKNADO retains its crown as the ultimate SyFy CGI shark battle and is the perfect film to get drunk to (just take a gulp every time someone yells ‘shark!’).

Polite notice: We are presenting SHARKNADO without subtitles from the best available digital source.

/// BAR TRASH is a celebration of cult and curious cinema, hosted by queer film fanatic Token Homo and friends. Films are served with themed drinks, introductions, intermissions, prize giveaways, and subtitles / captions where possible. Tickets from £3.50 + fees. Adults 18+ only. Follow @tokenhomo or visit tokenhomo.com for all the gory details. ///

The intertwined lives of three men in three different eras, three lives intimately linked by sexuality and desire, pain, and legacy.

World champion tennis trailblazer Billie Jean King has had a game-changing impact on culture and sports. Rare archive and candid interviews with Billie Jean and those closest to her reveal how one woman put changing the world ahead of saving herself.

Following the deaths of Mihai's parents, Mihai and Lisbet Gheorghiu leave their life behind in Romania and move with their children to a remote village in Norway, hoping to rebuild their lives near Lisbet's family. There, they grow close to their neighbors, the Halbergs, whose warmth gives them hope for a fresh start. But the fragile peace begins to unravel when the Gheorghiu family’s young daughter, Elia, arrives at school covered in bruises.

War reduced Japan to zero, and Godzilla plunged it into minus. Two years have passed since then, and the country has faced agonizing struggles to achieve recovery and finally reclaim its daily life. Just as humanity managed to cling to a hard-won peace, a new threat strikes, crushing hope in an instant. There is no third time. Everything ends here.

In 2006, To Catch a Predator host Chris Hansen sets out to make television history. When a high stakes operation goes fatally wrong, his veneered dream of fame curdles into a nightmare of performative justice.

Return to the world of Panem 24 years before the events of The Hunger Games, starting on the morning of the reaping of the 50th Hunger Games, also known as the Second Quarter Quell.

Shortly before the 1973 Chilean coup, CIA agents Chris and Lee are dispatched from Santiago to Easter island by their bureau chief, MJ. Amongst the Island's iconic statues, and as the longtime partners wrestle with their dark pasts and present conspiracies, Chris's newfound bond with a pair of rebellious students threatens to send everyone's trip to this remote paradise sideways.

The intertwined lives of three men in three different eras, three lives intimately linked by sexuality and desire, pain, and legacy.

World champion tennis trailblazer Billie Jean King has had a game-changing impact on culture and sports. Rare archive and candid interviews with Billie Jean and those closest to her reveal how one woman put changing the world ahead of saving herself.

Following the deaths of Mihai's parents, Mihai and Lisbet Gheorghiu leave their life behind in Romania and move with their children to a remote village in Norway, hoping to rebuild their lives near Lisbet's family. There, they grow close to their neighbors, the Halbergs, whose warmth gives them hope for a fresh start. But the fragile peace begins to unravel when the Gheorghiu family’s young daughter, Elia, arrives at school covered in bruises.

A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.

Followed by a group discussion in the bar area with Nick Walker of the Cult Classic Collective

In 2006, To Catch a Predator host Chris Hansen sets out to make television history. When a high stakes operation goes fatally wrong, his veneered dream of fame curdles into a nightmare of performative justice.

Return to the world of Panem 24 years before the events of The Hunger Games, starting on the morning of the reaping of the 50th Hunger Games, also known as the Second Quarter Quell.

Shortly before the 1973 Chilean coup, CIA agents Chris and Lee are dispatched from Santiago to Easter island by their bureau chief, MJ. Amongst the Island's iconic statues, and as the longtime partners wrestle with their dark pasts and present conspiracies, Chris's newfound bond with a pair of rebellious students threatens to send everyone's trip to this remote paradise sideways.

Thirty-four days before she's sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

Thirty-four days before she's sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

Thirty-four days before she's sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

Celebrate Doctor Who Day with an exclusive big-screen event marking 20 years of the Tenth Doctor and Rose Tyler.

For the first time ever in cinemas, the acclaimed two-part adventure The Impossible Planet and The Satan Pit have been specially re-edited into a single movie-length presentation, created exclusively for theatrical audiences. Join the Doctor (David Tennant) and Rose (Billie Piper) as they travel to Sanctuary Base 6, a remote outpost perched on a planet orbiting a black hole. When an ancient force awakens beneath the surface, the crew find themselves trapped in a battle against an evil older than time itself.

This special Doctor Who Day screening also includes exclusive bonus material, featuring previously unseen content and a brand-new interview with a special guest, reflecting on the making of one of the most celebrated stories of the modern era - from encounters with the Ood to facing the terrifying Beast, alongside behind-the-scenes memories from the set.

Thirty-four days before she's sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

Thirty-four days before she's sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

Tellurian Drama is a short film by Riar Rizaldi, exploring colonial history, indigenous ancestral power, and geoengineering through the story of Radio Malabar in West Java, Indonesia.

Amussu is a documentary film set in Imider, a small Amazigh community in southeastern Morocco, directed and written by Nadir Bouhmouch. In 2011, the community shut down a major water pipeline to halt the impact of Africa’s largest silver mine. The film chronicles the villagers’ eight-year peaceful resistance as they transform their protest camp into a small solar-powered village, continuing to resist through songs, poetry, theatre, weekly assemblies, and a local film festival.

This screening is curated and introduced by Meliza George as part of ‘Whose Land? Whose Lens?’ a season of works from the global south discussing the protection of land and therefore peoples through the lens of slow cinema. The season is presented with the National Film and Television’s Film Studies, Curation and Programming MA.

Thirty-four days before she's sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

BAR TRASH continues our 14th sensational season — TRASH PLANET 3: APOCALYPSE! — with a special presentation of two post-apocalyptic films made with no money and pleasingly short run times: Michael J. Murphy’s DEATH RUN (1987) and Steven Kostanski’s MANBORG (2011).

DEATH RUN aka ‘Mutant City’ dir Michael J. Murphy (1987 / UK / 73mins)

Shot entirely on home cinema format Super 8mm, DEATH RUN is a rare, bargain basement ‘maxploitation’ flick from prolific British diy filmmaker Michael J. Murphy. A young couple awake from suspended animation after a nuclear war. Captured by marauders, they are taken to Junk City where the tyrannical Messiah forces them to compete in the ‘Run’, a deadly game where participants are handcuffed to an electrified wire and forced to run its length downhill while fighting mutants barefisted.

MANBORG dir Steven Kostanski (2011 / Canada / 62mins)

A throwback to 1980s sci-fi horror action films, MANBORG is the story of a dead soldier who is reanimated as a cyborg killing machine to fight Nazi vampires in the far future. “A marvel of DIY makeup, costuming and special effects" (Toronto Star), MANBORG was made by makeup artist turned DIY filmmaker Steven Kostanski for roughly $1000 Canadian dollars with live action sequences shot in his parents’ garage and everything else thrown together in post production. Befitting our TRASH PLANET 3 season theme, costumes and props were made from recycled junk salvaged from dumpsters, and regularly needed gluing back together during filming.

Polite notice: DEATH RUN screens with subtitles. MANBORG screens without subtitles. Both films will be projected from the best available digital sources. Please approach the original lo-fi materials for these ultra-low budget films with love, wonder and empathy. There will be one intermission between the two films.

/// BAR TRASH is a celebration of cult and curious cinema, hosted by queer film fanatic Token Homo and friends. Films are served with themed drinks, introductions, intermissions, prize giveaways, and subtitles / captions where possible. Tickets from £3.50 + fees. Adults 18+ only. Follow @tokenhomo or visit tokenhomo.com for all the gory details ///

Genesis Cinema and SwingdanceUK invite you along to our monthly Swing dance night!
Learn the steps Swing Dance Class 7.30-8.30pm with Simon!
Followed by dancing led by resident DJ Simon Selmon & guest DJs playing great dance music of the 30s, 40s & 50s & beyond for Lindy Hop, Jitterbug, Jive, Shag & Balboa dancers!
A chilled atmosphere where you can meet friends, relax, enjoy a drink or a tasty pizza and dance the night away!

7.30pm Beginners Lindy Hop Class Pre-booking recommended
8.30pm Dancing with resident DJ Simon 'Mr Kicks' Selmon & special guest DJs - all welcome!

Last Entry 9.30 pm

Website: https://swingdanceuk.com/socials/some-like-it-swing/

A talented writer, Edgar Allen, arrives in Hollywood with big dreams but is quickly pulled into a world of madness and depravity. A detective investigating a series of murders discovers that they are similar to the murders that occur in the new script by Edgar. Who will survive and what parts will be left for them?

Followed by an in person Q&A with writer/director, Rufus Butler Seder and actor Katy Bolger.

Last November, ten of the UK’s leading experts briefed an invited audience of over 1,200 politicians and leaders from business, culture, faith, sport and the media. The briefing set out the implications of climate and nature breakdown for health, food systems, national security and the economy. The People's Emergency Briefing presents the national implications of climate and nature breakdown - along with credible, positive responses - in a single, accessible account. A new film featuring Chris Packham, leading scientists, a former general and Jennifer Saunders - all being far too frank about where things are heading and what can be done about it. Followed by a Q&A with Councillor Shafi Ahmed (Cabinet Member for a Clean and Green Borough)

Replikka is a Brazilian short film directed by Heloísa Passos and Piratá Waurá, exploring the intersection of Indigenous wisdom and technology through a spiritual and meditative lens, focusing on the resilience of the Wauja people of the Upper Xingu.

My Foreign Land is a collaborative documentary film directed by Coletivo Lakapoy, Louise Botkay, and João Moreira Salles. It follows the Suruí, an indigenous people in western Brazil, during the tense final month leading up to the pivotal 2022 Brazilian presidential elections. It tracks tribal leader Almir Suruí campaigning locally in Rondônia while his daughter, young activist Txai Suruí, travels abroad to advocate for rainforest protection against logging and mining.

This screening will be introduced by Yula Rocha - producer of Replikka and Communication and Project Manager at People’s Palace Projects.

This screening is curated by Meliza George as part of ‘Whose Land? Whose Lens?’ a season of works from the global south discussing the protection of land and therefore peoples through the lens of slow cinema. The season is presented with the National Film and Television’s Film Studies, Curation and Programming MA.

Lucila's Film Club, a film club that only screens movies made by female directors, is collaborating with Hot Literati, a literary community and membership for readers, writers, and artists! Together, they're celebrating the art of book-to-film adaptations with a special screening of Sally Potter’s Orlando on Sunday, December 6th at 9:00 PM (Runtime: 93 mins), featuring an introduction by Hot Literati on the night. Ahead of the screening, members and non members are all reading the novel together, and as a member of Lucila's Film Club, you get your first month of Hot Literati free, so you can read Orlando in the app before the screening. See you there!

Life on the Horn is a short film directed by Mo Harawe and set on the Somali coast, where illegal toxic waste dumping over decades has caused widespread environmental contamination and health crises. A young man remains in his village to care for his dying father, while the surrounding community gradually abandons the area.

Faya Dayi is an Ethiopian documentary by Jessica Beshir that offers a spiritual and socio-economic portrait of the Harar region, focusing on the cultivation, trade, and cultural rituals of khat - a stimulant leaf central to local life. It follows Sufi Muslims seeking enlightenment while navigating government restrictions, the allure of better futures, and the dangers of dependency on khat.

The feature film will be introduced by Nadia Denton - a Film Curator, Social Impact Producer and Author. She specialises in African cinema, art and culture, and particularly in widening access to and understanding of African and diaspora film.

This screening is curated by Meliza George as part of ‘Whose Land? Whose Lens?’ a season of works from the global south discussing the protection of land and therefore peoples through the lens of slow cinema. The season is presented with the National Film and Television’s Film Studies, Curation and Programming MA.

Marlon Brando delivers a fascinating performance as a man torn apart by his wife's suicide who attempts to bury his grief in a sudden, purely carnal relationship with an alluring stranger (Maria Schneider). While looking for an apartment, Jeanne, a beautiful young Parisienne, encounters Paul, a mysterious American expatriate mourning his wife's recent suicide. Instantly drawn to each other, they have a stormy, passionate affair, in which they do not reveal their names to each other. Their relationship deeply affects their lives, as Paul struggles with his wife's death and Jeanne prepares to marry her fiance, Tom, a film director making a cinema-verite documentary about her.

Followed by a group discussion in the bar area with Nick Walker of the Cult Classic Collective

FRIDAY 11TH DEC - LIVE WRESTLING • AFTER PARTY

The naughty list is getting longer. Christmas is getting out of hand. And once again, Emporium is making a spectacle of it all.

This Friday 11th December, Emporium Pro Wrestling returns to Genesis Cinema for a festive spectacular like no other!

Forget your traditional Christmas celebrations. We're bringing the magic of Christmas crashing headfirst into the madness of live professional wrestling.

Expect outrageous characters, festive fights, spectacular showdowns and more Christmas drama than Santa can handle. And because this is Emporium, expect things to get weird.

So grab your Christmas jumpers, round up your elves and prepare for one of London's most outrageous festive nights out.

Christmas has never looked quite like this.

BE PART OF THE NIGHT

Come dressed for the occasion.

Christmas jumpers. Festive glam. Santa suits. Naughty elves. Tinsel, sequins and questionable Christmas fashion. Or just come as yourself.

Bring signs. Make noise. Pick your favourites. Get on the naughty list.

EMPORIUM: AFTER PARTY

THE FREE CHRISTMAS AFTERPARTY – INCLUDED WITH EVERY TICKET

The final bell has rung, but the Christmas celebrations are only just getting started!

Genesis Cinema's private bar transforms into the ultimate festive party, as wrestlers, performers and the Emporium crowd leave the ring behind to celebrate together.

Expect wrestler DJs, Christmas classics, cheesy anthems, guilty pleasures and plenty of festive mischief until 1:30AM.

No additional ticket. No heading home after the main event.

Your Emporium Christmas ticket gets you the live show AND the afterparty.

Because at Emporium, even Santa knows how to party.

FRIDAY 11TH DECEMBER — GENESIS CINEMA

LOWER TIER — BETTER VIEW IN THE CINEMA — £21
UPPER TIER — £16

Genesis Cinema
93–95 Mile End Road
Bethnal Green, London E1 4UJ

Doors: 6:30PM
Show Starts: 7:00PM
Approx. Finish (including interval): 10:00PM

EMPORIUM: THE AFTERS

Starts: After the live show
Finish: 12:30AM

STRICTLY 18+

Accessibility enquiries: info@genesis-cinema.co.uk | 0207 780 2000
General enquiries: emporiumprowrestling@gmail.com

FRIDAY 11TH DEC - LIVE WRESTLING • AFTER PARTY

The naughty list is getting longer. Christmas is getting out of hand. And once again, Emporium is making a spectacle of it all.

This Friday 11th December, Emporium Pro Wrestling returns to Genesis Cinema for a festive spectacular like no other!

Forget your traditional Christmas celebrations. We're bringing the magic of Christmas crashing headfirst into the madness of live professional wrestling.

Expect outrageous characters, festive fights, spectacular showdowns and more Christmas drama than Santa can handle. And because this is Emporium, expect things to get weird.

So grab your Christmas jumpers, round up your elves and prepare for one of London's most outrageous festive nights out.

Christmas has never looked quite like this.

BE PART OF THE NIGHT

Come dressed for the occasion.

Christmas jumpers. Festive glam. Santa suits. Naughty elves. Tinsel, sequins and questionable Christmas fashion. Or just come as yourself.

Bring signs. Make noise. Pick your favourites. Get on the naughty list.

EMPORIUM: AFTER PARTY

THE FREE CHRISTMAS AFTERPARTY – INCLUDED WITH EVERY TICKET

The final bell has rung, but the Christmas celebrations are only just getting started!

Genesis Cinema's private bar transforms into the ultimate festive party, as wrestlers, performers and the Emporium crowd leave the ring behind to celebrate together.

Expect wrestler DJs, Christmas classics, cheesy anthems, guilty pleasures and plenty of festive mischief until 1:30AM.

No additional ticket. No heading home after the main event.

Your Emporium Christmas ticket gets you the live show AND the afterparty.

Because at Emporium, even Santa knows how to party.

FRIDAY 11TH DECEMBER — GENESIS CINEMA

LOWER TIER — BETTER VIEW IN THE CINEMA — £21
UPPER TIER — £16

Genesis Cinema
93–95 Mile End Road
Bethnal Green, London E1 4UJ

Doors: 6:30PM
Show Starts: 7:00PM
Approx. Finish (including interval): 10:00PM

EMPORIUM: THE AFTERS

Starts: After the live show
Finish: 12:30AM

STRICTLY 18+

Accessibility enquiries: info@genesis-cinema.co.uk | 0207 780 2000
General enquiries: emporiumprowrestling@gmail.com

A hostage situation occurred at a TV station. The kidnapper K was not after money, he just wanted to terminate the monthly subscription to the TV station.

In Cantonese with English subtitles.

BLACK IS: BOUNDLESS is a curated season of cinema exploring the breadth, complexity, and creative possibility of Black cinematic storytelling. Running across London from October to December 2026, we are bringing together independent films, filmmaker conversations, and an industry discussion to extend discourse around representation, authorship, and the cultural visibility of Black cinema beyond Black History Month.

Film Synopsis:

On an empty road in the middle of the night, Shula stumbles across the body of her uncle. As funeral proceedings begin around them, she and her cousins bring to light the buried secrets of their middle-class Zambian family in BAFTA-winning director Rungano Nyoni’s surreal and vibrant reckoning with the lies we tell ourselves.

Content warning: strong language and adult themes

Dir/Wir: Rungano Nyoni Prod: Ed Guiney/Andrew Lowe/Tim Cole

The film and the recordered Q&A will be captioned.

Join us for pre-screening networking drinks from 5.45pm

G.O.A.T Film Club is a movement for change in film and television. Our mission is to amplify Black & Global Majority, women, LGBTQIA+, and disabled voices, creating a space where underrepresented talent and passionate audiences converge. Through curated screenings, workshops, and exclusive networking events, we connect filmmakers and viewers, championing diverse stories and reshaping screen culture to reflect a global perspective. G.O.A.T Film Club redefines film and TV as a space where every voice finds its platform and every audience finds stories that resonate.

Insta: @g.o.a.t_filmclub

Supported by the BFI Audience Projects Fund, awarding National Lottery Good Cause funding, with additional support from the National Film and Television School.

Sentenced to death in Iran for killing her abusive husband, Tahereh depends on his family’s forgiveness to avoid execution. With the clock ticking, her son races to raise blood money in a real-life thriller exposing the human cost of Iran’s justice system.

Farsi with English subtitles

Emperor Paul Atreides faces the fallout from his ascent to power as political plots and a galaxy-wide holy war endanger the future only he can see.

Beloved heroes from three distinct universes are set on a deadly collision course and face an existential threat unlike anything they've ever encountered.

Beloved heroes from three distinct universes are set on a deadly collision course and face an existential threat unlike anything they've ever encountered.

Beloved heroes from three distinct universes are set on a deadly collision course and face an existential threat unlike anything they've ever encountered.

Emperor Paul Atreides faces the fallout from his ascent to power as political plots and a galaxy-wide holy war endanger the future only he can see.

Beloved heroes from three distinct universes are set on a deadly collision course and face an existential threat unlike anything they've ever encountered.

Emperor Paul Atreides faces the fallout from his ascent to power as political plots and a galaxy-wide holy war endanger the future only he can see.

Beloved heroes from three distinct universes are set on a deadly collision course and face an existential threat unlike anything they've ever encountered.

Emperor Paul Atreides faces the fallout from his ascent to power as political plots and a galaxy-wide holy war endanger the future only he can see.